Egypt made pottery before the building  of the Pyramids. This is evident from the presence in older  hieroglyphic writing of characters which are pictures of earthen  vessels. Pictures of pottery vessels and small pieces of pottery have  been found in tombs of the Fourth, Fifth, and Sixth Dynasties,  contemporary with and after the building of the Great Pyramid (about  2350 B.C.).
The art of covering pottery with  enamel was invented by the Egyptians at a very early date. They applied  it to stone as well as to pottery. Although it is not customary (except  with the Chinese) to class in the ceramic art enamels on any other than  earthen bodies, the enamelled stone of Egypt is so closely related to  the enamelled pottery of Egypt that it must be considered with it.
Steatite (or soapstone, as some  varieties are called) is easily worked, and bears great heat without  cracking. From this material the Egyptians carved small pieces--vases,  amulets, images of deities, of animals and other objects--and covered  them with green, blue, and occasionally red, yellow, and white enamel,  which when baked became brilliant and enduring. Objects in enamelled  steatite are known of very early periods. One in the Trumbull-Prime  collection, obtained at Thebes--a small cylinder--bears the cartouche of  a king, Amunmhe III., of the Twelfth Dynasty, the Moeris of history,  whose date is placed at about 2000 B.C. The enamel is pale-green, almost  white, except in the engraved lines, where, being thicker, it shows  more color.
In the Louvre collection, a  cylinder of this material bears the name of Shafra, a king of the Fourth  Dynasty, builder of the second pyramid; and the British Museum has  three which have the names of kings and of a queen of the Twelfth  Dynasty. The manufacture of this material was carried on till the time  of the Ptolemies.
The knowledge and practice of  this art at the time of the building of the Pyramids necessarily imply  that the Egyptians could enamel pottery also at that early date. It is,  in fact, impossible to say that there are any known specimens of  unglazed pottery older than specimens of glazed and enamelled pottery.  The histories of the two classes therefore begin together.

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